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“In this regard, Julia Araújo as Leonora deserves special mention for her performance, which captivates with its enormous vocal charisma. Outwardly resembling Marilyn Monroe in her salmon-coloured dress, she lets her angelic voice soar. Her singing combines clarity, virtuosity and the depth of feeling that characterises a good Verdi soprano.”

“… and Julia Araújo with her enchanting, honey-sweet phrasing. Carried by Vladimir Yaskorski’s singer-friendly conducting, she is able to transform notes from nothing into pianissimo with an imperceptibly delicate vibrato, bringing silence to the undisciplined, restless Giessen audience.”

“…while Julia Araújo’s Amaltea provided a melodious contrast with her warm voice.”

“In the Russian-language performance (with German surtitles), the aforementioned Julia Araújo gives an impressive performance as Tatiana with her expressive soprano voice, transforming from an enthusiastic country girl into a mature woman over the course of the plot. In the night-time letter scene, she experiences every emotion from joyful hope to oppressive worry, and in the final duet with Onegin, her singing rises to dramatic intensity.”

“His wife Amaltea is a modern, clear-thinking woman. She is sung by Julia Araújo. Her voice is always a delight to my ears. She simply has something special about her. Just as she always gives her characters something special”